The Main Character Influences of Quorum
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The world of Quorum is most assuredly made up of fictional characters. While we have set the backdrop of our story against real-world events, our portrayal of those events is far from historically accurate. That said, if you find some of the characters in Quorum intriguing, you may also find enjoyment in some of the colorful characters making a name in the real world of professional poker.
Oddly, Jimmy Harmon probably takes his greatest influence from live players as opposed to online players. For one thing, in Quorum we would mostly be depicting live poker as opposed to online play, so it was important that he have a personality that could be compelling in that atmosphere. Daniel Negreanu’s amiability was a strong influence, as well as some of the showmanship of Antonio Esfandiari. Negreanu has an ability to project an uncanny ability to read opponents, and Esfandiari — often nicknamed “The Magician” — can perform some compelling chip tricks (something I often imagine Harmon doing on the side). And, of course, WSOP Main Event champion Joe Hachem’s outsized personality influenced Jimmy — a fact I wrote directly into the story with his less-than-successful Australian impression.
Peeps is an amalgam of several female poker players, all of whom are successful players, but are often relegated to being portrayed as good “women” players, with televised stories often playing up their ability to use their femininity as a factor (rather than merely acknowledging their table skills). Dual World Series bracelet-winner Jennifer Harman stands out, as do Annie Duke and Clonie Gowan, and even actors-turned-poker-players Shannon Elizabeth and Jennifer Tilly. She takes her crazy pattern-recognition skills from the aforementioned Daniel Negreanu, and at least some of her personality from Fiona Dourif’s portrayal of the holistic assassin Bart in Dirk Gently’s Holistic Detective Agency.
“Big Mike” Dalton actually adapts characteristics from a number of old-school poker players, the group of long-time pros who continue to garner respect across the board. Doyle Brunson has always been a personal favorite, someone who truly exemplifies the idea of the old poker pro (right down to his ubiquitous cowboy hat). And it may be the hat, but I also drew influence from Chris “Jesus” Ferguson (whose card-throwing skills I loved watching) and poker legend Amarillo Slim. Brunson also stands out in having managed to parlay his live success into a modicum of online-play respectability, a trait that Dalton attempts to emulate. Dalton’s influence in both online play and televised poker most closely mirrors that of Howard Lederer, who frequently guest-starred on the Learn from the Pros show (which was a thinly-veiled promotion for the Full Tilt Poker site) and Gabe Kaplan (yes, Welcome Back Kotter’s Gabe Kaplan), who hosted the cash-game show High Stakes Poker.
Wiktoria Sałkiewicz isn’t directly influenced by anyone in the poker world, but came about as a result of my research into Las Vegas history and its various criminal power brokers over time. While the Italian mob is most frequently depicted in popular media, I found several instances of smaller groups — still often bound together by ethnic ties — which wielded influence in smaller spheres. The Polish mob was not particularly influential in Las Vegas (other than the Polish heritage of mobster Meyer Lansky), but that led to the notion that someone of a less-prominent “family” might be more likely to survive the string of anti-crime initiatives over the decades. Similarly, making her a woman in not one but two male-dominated professions (organized crime and the casino business) made for a much more compelling character history.
Of course, none of these characters are direct counterparts to any real-world personalities. But after watching dozens (if not hundreds) of hours of televised poker, and delving deep into the history of the city surrounding the game, I wanted to acknowledge at least some of the significant personalities who all-too-often outdo those of the fictional world.
— William R. Coughlan, writer/director of Quorum