Episode Transcript
Quorum: The Gambler’s Tale
“Outstanding Debts,” Part 4
INTRODUCTION
HOST
Welcome to Jabberwocky Audio Theater.
HOST
This podcast is made possible by listeners like you — thank you. Visit our website at JabberAudio.com/support to learn more, or go to Patreon.com/TeamJabberwocky.
RATING ANNOUNCER
The following audio theater is rated AD-PG, so parental guidance is suggested.
ANNOUNCERLAND
MUSIC: THEME MUSIC BEGINS
ANNOUNCER
There has always been a gray area between the just and the unjust. The lawful and the lawless. A nebulous region where the trappings of authority share little crossover with the course of justice. And where those who attempt to shine light into the dark recesses of power are often the least expected.
(BEAT)
April 2011. Deeply indebted poker player Jimmy Harmon is desperately trying to evade the clutches of his investor, shady Las Vegas gangster Wiktoria Sałkiewicz. After coming up short in his attempts to restore his bankroll by calling in old debts, he moves quickly to leave town. But his plans are stopped cold when his friend Will Archer goes to get Harmon’s car.
(THE FOLLOWING EXCERPTS ARE REPLAYS OF THE SCENES FROM THE PREVIOUS EPISODES.)
SOUND: MASSIVE EXPLOSION
JIMMY
Jesus Christ! What the hell was that?
PEEPS
Was that for real? Sounded like that was right in the garage! Oh, my god, smoke. This is real.
JIMMY
Oh, crap, Will was just. No, that can’t be… my car… Oh, Jesus. Will…
ANNOUNCER
Brought in for questioning by the Las Vegas police, Harmon finds his fears exacerbated by the warnings of unconventional homicide detective Ben Marshall.
MARSHALL
Whoever did this will try again. Especially since they’re trying to make some kind of statement.
JIMMY
Wait, what do you mean “statement”?
MARSHALL
(SIGHS)
Not to be morbid, but there are any number of ways to kill someone. Quietly. Quickly. And surprisingly easily. Seriously, I could make a list. Do you want a list? There was this one guy who… never mind. But a car bomb? Pretty far down on that list. You go to this much trouble, the killing itself is at best your secondary priority.
ANNOUNCER
Reluctant to reveal his suspicions for fear that Sałkiewicz has her hands deep into the police department, Harmon leaves, only to find himself face-to-face with the very woman toward whom all evidence of the attempt on his life points.
SOUND: AUTOMATIC WINDOW ROLLING DOWN
WIKTORIA
We need to talk, James. Now.
CRICK
Get in the car, poker boy.
SOUND: CAR DOOR OPENING
ANNOUNCER
Jabberwocky Audio Theater presents: Quorum: The Gambler’s Tale. Tonight’s presentation: “Outstanding Debts,” episode four.
MUSIC: THEME MUSIC ENDS
WIKTORIA’S TOWN CAR
SOUND: TOWN CAR ENGINE ACCELERATING
(MUTED SOUNDS OF DAYTIME LAS VEGAS IN THE BACKGROUND)
JIMMY
All right, Wiktoria. You’ve got me. So start talking.
WIKTORIA
James, I have no desire to “get you,” as you say. Would you like a drink?
JIMMY
A little early, isn’t it?
WIKTORIA
Eh. Such rules are for people who have more conventional schedules, yes?
JIMMY
Yeah, I guess that’s true enough. All right.
SOUND: DRINK POURING
SOUND: ICE CUBES RATTLING
WIKTORIA
I am not sure I trust someone who will not have a drink, no? I find they worry too much about their self-control. With you, now I do not worry so much. In any case, you will find this much better than the gówno they are stocking back at the Limelight.
JIMMY
I’m no expert, but I’ll take your word for it.
JIMMY (V.O.)
I got the distinct feeling Wiktoria was stalling. Or if not stalling, then building her resolve. Either way, if something had her scared, I was worried.
CRICK
I think we’re clear, boss.
SOUND: DRINKING
JIMMY (V.O.)
To be honest, I was glad for the drink. Up ’til now I’d been surprisingly calm. But now… now I was shaking like a leaf. I guess the adrenaline rush had worn off, and I was crashing. Hard. When it was going on it felt like… like it was happening to someone else, and I was just watching. It felt so fast. But now that I was finally sitting back, I kept replaying it in my head. Like it was in slow motion. Like the consequences of it all had finally caught up with me.
(BEAT)
Still, I had to play the person opposite me, so as hard as it was, I put my game face back on.
WIKTORIA
(DRINKING)
Aaah. Yes, much better. Now, you seem to believe I am behind the unfortunate matter of your vehicle.
JIMMY
That’s one way to put it. Another might be “killing my friend while trying to kill me.” Why quibble? You gonna tell me your goons didn’t plant the bomb?
WIKTORIA
I am not. I suspect one of them did exactly that.
JIMMY
Well that’s… I actually have no response to that.
WIKTORIA
I will say this was not done on my word. After recent events, hours must seem like days, but do you remember what I said to you at our last meeting?
JIMMY
I remember laughing boy Crick up there in the driver’s seat doing a drumbeat on my stomach. And then his buddy Watson trying to use me for target practice. Forgive me if the rest is a little fuzzy.
WIKTORIA
It is about Mr. Watson I wish to speak. But first I need to be reassuring you I do not wish you dead.
JIMMY
Funny way to show it, Wiktoria.
WIKTORIA
This is not nineteen sixties, James. Perhaps you think little of me, but I am a businesswoman. I will admit to an affinity for the old methods. But I do not go around killing people. Or having them killed.
JIMMY
That’s comforting. Not sure I buy it, but comforting.
WIKTORIA
Ah. Even so, it would not make sense. You owe a substantial sum, James. As I said last night, this money I intend to recover. And the likelihood of that diminishes much on your death. I very much wish you alive and well.
JIMMY
Really? Well?
WIKTORIA
Heh. Well enough, shall we say.
JIMMY
Okay, your logic is… all right, it makes sense enough. For the moment, I’ll table that. So what’s so important that you needed to grab me off the street?
WIKTORIA
I am of the belief that following your departure, Mr. Watson decided to take more direct action.
JIMMY
Him taking shots at me seemed pretty damned direct.
WIKTORIA
As I say, more direct.
JIMMY
Muscle-bound tool decides on his own to go plant a bomb in my car? Initiative seems a bit out of character for him. You know, from what I’ve seen.
WIKTORIA
You would be surprised. He can be resourceful. As can Mr. Crick. But no. I believe he was acting on someone’s orders.
JIMMY
Now you sound conspiratorial. Maybe I was assuming a bit, but still, I could see you having it in for me. But other than that, while I’ve ticked off a few people in my time, I don’t make any of ’em for car-bomb types. On top of that, pretty much nobody else even knew I was at the Limelight.
WIKTORIA
It is a good thing not to have people wanting to kill you. Enjoy it. Me… I am not always so fortunate.
JIMMY
Wait — someone’s trying to kill you? That’s what this is all about? Actually, that does make more sense.
WIKTORIA
To kill me, or make things uncomfortable. Enough that I am made to disappear. I believe you were a simple target of opportunity.
JIMMY
What the hell’s that supposed to mean?
WIKTORIA
Think on the timing of events. I did not know you were at the hotel until you were seen last night. Crick and Watson were promptly sent to retrieve you.
JIMMY
Yeah, I’ve got that much.
WIKTORIA
After which we spoke, then you went on your way.
JIMMY
No thanks to your brute squad.
WIKTORIA
You were gone for perhaps… four hours, yes?
JIMMY
I guess so, more or less. Your point being?
WIKTORIA
I can say that Mr. Crick was with Mr. Watson for two hours of that time. Which would leave Mr. Watson with… let us say two hours to find your vehicle, obtain an explosive device, and install it.
JIMMY
Have to take your word for all that.
WIKTORIA
One does not go to the store and pick such an item from the shelf, James. No, the device had to already be here — and for the most ready to go — needing just to be installed.
JIMMY
And how long would that take?
WIKTORIA
Ha. You think little of my past, but believe me or no, I do not have direct experience in such matters. I suspect the time to be close, but possible, yes?
JIMMY
All assuming Watson is our guy in the first place.
WIKTORIA
Mr. Watson has gone missing since Mr. Crick was last in his company. That along with his overzealous pursuit of you — and some suspicion I have had as to his loyalty — leaves me confident of his betrayal.
JIMMY
(BEAT)
Okay, I’m sure someone of your renown might have made a few enemies, but that gets us nowhere if you don’t know who it is that’s trying to kill you.
WIKTORIA
Ah, you arrive at the point. Direct. I have strong suspicions. Are you familiar with Abdul Hazred?
JIMMY
“Benny” Hazred? Whoa, you’re saying the owner of the Royal Oasis is trying to have you whacked? Isn’t he like a bazillionaire? Just on the cover of Forbes last summer? No offense, but you’re getting an overinflated opinion of your reputation. Surprised if he’d even heard of you.
WIKTORIA
A theatrical term, “whacked.” But you are moving ahead. I do not suspect “Benny” Hazred, as you say. Not directly. But it would seem he leads investors seeking to purchase the Limelight.
JIMMY
Yeah, I think Will said something about that before he… well, before. I think his exact words were, “Supposed to be bunch of big-time investors coming through this week.” And then he mentioned Hazred.
WIKTORIA
Your memory serves you well. And yet curiously you claimed a flawed recollection of our discussion.
JIMMY
I’m a poker player. Observation, math and memory are tools of the trade. And my memory’s damn fine so long as people aren’t shooting at me.
WIKTORIA
As you say. For my own reasons, I am not positioned to relinquish my stake in the hotel. Not yet.
JIMMY
Good laundry is hard to come by.
WIKTORIA
Laundry. You are trying to make a “dirty laundry” joke, I think.
JIMMY
That or “money laundry.” I work with what I’ve got.
WIKTORIA
Hmm… Other than Hazred, the list of investors looking at the hotel is… tajemnica. Secret. I am not even certain of Hazred, but with him my sources are more confident. Still, I believe someone in this group is intent on ensuring my position is weakened. By any means necessary.
JIMMY
So, let me see if I’m following. One of these shady investors — who you don’t really know — is going after you for your share in the Limelight Hotel? Aren’t you being a little paranoid there? People killing each other for a business deal? Even in Vegas I think that’s a little more your world than theirs.
WIKTORIA
(LAUGHING)
Your innocence is refreshing. Paranoia is a valuable survival tool. Still, I agree this is very unusual. My share in the hotel is minuskuła. Enough for me to exert influence where necessary. But not to be of such consequence. Still, it would seem the most likely explanation.
JIMMY
At least from your perspective, I guess. So — not that I don’t appreciate the little lesson — why the hell are you telling me all this?
WIKTORIA
Ah. Again to the point. I promised you I would find a way to… direct your investigations. And I have something that might help.
JIMMY
Yeah, about that. I don’t know why you think I know people who would know about this kind of thing.
WIKTORIA
People? Who is talking people? I never said people.
JIMMY
You said… Wait, I’m lost here. What did you —
WIKTORIA
You are good with computers, yes?
JIMMY
Good with… I use computers, yes. I’m an online player.
WIKTORIA
So you can do… how do you say it… hacking, yes?
JIMMY
Wh… no, that’s not what I do. Not at all. Where the hell did you get the idea that I was some kind of computer hacker?
WIKTORIA
The situation you find yourself in with the online sites. Multiple user accounts, covering your tracks. These are not ordinary user activities.
JIMMY
Okay, so I can… I can make my way around a system. Occasionally. If the need arises. But that doesn’t make me some genius hacker. Especially since, hello, I got caught. Remember that little detail?
WIKTORIA
We do not have time to argue details. I have learned the investors have a particular interest in someone staying in a suite at the Lyon Majestic. I hear them refer to a “money man,” but that is all I have learned.
JIMMY
So is this “money man” the one with, I presume, the money?
WIKTORIA
It would seem logiczny. Logical. You go on to the computer to find out —
CRICK
(URGENTLY)
Boss, we got a tail.
JIMMY
A tail?
WIKTORIA
Ah, yes, I see. It appears my influence with the policja is not what it once was. I would not have expected them to be driving a Kia, but times change.
JIMMY
Wait, the cops are following us? You don’t think… Hey, I didn’t tell them anything!
WIKTORIA
(LAUGHING)
It would not surprise me if you had. It likely makes small difference. They will have me take the fall for the car bomb regardless of the truth. Your statement would have simply made this easier for them.
JIMMY
Well, I’m glad I sweated through that for nothing.
WIKTORIA
In any case, it would appear our time is limited. If, as I suspect, you wish to learn the truth of your friend’s death, then our needs would appear to coincide. And if we are both to move forward, what I require your assistance with is merely to —
SOUND: MASSIVE CAR CRASH
JIMMY
What the —
WIKTORIA
Aagh!
SOUND: PERSISTENT CAR HORN
SOUND: MUFFLED SHOUTS
CRICK
Boss. Boss! You okay?
WIKTORIA
Unnnngh…
SOUND: CAR DOORS OPENING, MUFFLED (OUTSIDE)
JIMMY
What the hell’s going on?
CRICK
Goddamn Hummer just T-boned us, dipwad! How’s Wiktoria?
JIMMY
I think she’s —
SOUND: AUTOMATIC WEAPONS FIRE
SOUND: CRACKING GLASS
MUSIC: ACTION CUE
JIMMY
Aaah!
CRICK
Get down, dammit! Doors are armored!
SOUND: POLICE SIREN
MARSHALL
(THROUGH BULLHORN)
Put down your weapons and step away from the vehicle!
SOUND: AUTOMATIC WEAPONS FIRE
SOUND: PISTOL SHOTS
MARSHALL
(THROUGH BULLHORN)
I’m serious! Don’t make me turn this car around!
CRICK
All right, cops got ’em busy. See if you can get Wiktoria out the far side!
JIMMY
What? Shouldn’t we just stay right here?
CRICK
I said we’re armored. Don’t make us a tank. They keep shooting and they will get through. Move!
JIMMY
You’ve hardly said three words to me that weren’t accompanied by a fist, and now you’re giving orders?
CRICK
Haven’t needed more than that to deal with a lowlife like you. Get wise. We have our roles — both know who and what we are. Right now, you want even a chance of seeing tomorrow, you will get moving and help Wiktoria. Some reason, Wiktoria wants you in one piece. But if she’s out of the picture, ain’t nothing keeping me —
JIMMY
Okay, okay. I read you.
SOUND: DOOR OPENING
JIMMY
(STRUGGLING)
Ugh! Come on, Wiktoria, can you help me out a bit?
WIKTORIA
Mmmmgh…
JIMMY
Crick, I can’t get…
CRICK
All right. Here, let me get her.
SOUND: STRUGGLING NOISES
LAS VEGAS CITY STREETS
CRICK
Here! Get her behind that dumpster!
SOUND: AUTOMATIC WEAPONS FIRE
SOUND: METALLIC RICOCHETS
CRICK
Dammit! They spotted us!
(BEAT)
All right, looks like that one’s using a full-auto Glock. An 18… more likely a converted 19.
JIMMY
I appreciate your expertise, but how on Earth is that relevant right now?
CRICK
Guy’s either an amateur or an idiot. Glock’s easy for concealed carry, ’specially the 19, but he’s using it one-handed. On full auto. Accuracy is trash…
JIMMY
Oh, that makes me feel so much better.
CRICK
And limited mag capacity. Way he’s using it, firing full auto, not short bursts, means…
MARSHALL
(THROUGH BULLHORN)
Additional units are closing! I repeat, put down your weapons and step back. It’s only fun until someone loses an —
SOUND: AUTOMATIC WEAPONS FIRE
SOUND: CLICKING
CRICK
All right, he’s out. Move! Now!
JIMMY
Come on, down the alleyway!
WIKTORIA
Wha… Where are…
CRICK
Boss!
JIMMY
Wiktoria! Can you walk? We need to move!
WIKTORIA
Yes… yes, I think…
JIMMY
Good enough. Come on!
SOUND: FOOTSTEPS RUNNING
SOUND: SUV STARTING (DISTANT)
SOUND: TIRES SCREECHING (DISTANT)
SOUND: CAR DRIVING OFF (DISTANT)
SOUND: PISTOL SHOTS (DISTANT)
JIMMY
(PANTING)
Okay… I’m willing… to accept someone’s… trying to kill you.
WIKTORIA
This… this is not an everyday event… for me.
JIMMY
I bet you say that to all the boys.
CRICK
Take it easy, boss. Here, I think we’re clear. Hey, you! Taxi!
SOUND: CAR APPROACHING, SKIDDING TO A HALT
SOUND: BANGING ON CAR HOOD
LAS VEGAS TAXI DRIVER 1
Watch it, buddy. Almost hit you. I can’t just stop on the street. Against the law. You have to go to —
SOUND: FOOTSTEPS SHUFFLING
CRICK
Yeah, here’s a fifty. Today you’re making an exception.
SOUND: CAR DOOR OPENING
JIMMY
Where are we —
CRICK
There’s no “we.” I’m taking Wiktoria somewhere safe. Adios, poker boy.
JIMMY
What? Where the hell am I —
CRICK
Not my problem. Brought enough crap down on us already. Hasta lasagna.
WIKTORIA
(DRIFTING OFF)
No, I need… I need to tell…
SOUND: CAR DOOR CLOSING
JIMMY
Wait a minute — how am I supposed to find you if…
SOUND: CAR DRIVING OFF
JIMMY
Perfect.
SOUND: TIRES SCREECHING
SOUND: SUV APPROACHING
JIMMY
Oh, son of a…
SOUND: FOOTSTEPS RUNNING
SOUND: TIRES SCREECHING
JIMMY
Oh, no you don’t!
SOUND: CLIMBING CHAIN-LINK FENCE
JIMMY
Let’s see you fit in here!
SOUND: TIRES BRAKING
SOUND: METALLIC CRUNCH
SOUND: FOOTSTEPS RUNNING, STOPPING
JIMMY
(OUT OF BREATH)
Okay… okay…
JIMMY (V.O.)
It looked like I’d gotten away from whoever was in that SUV, at least for the moment. But after all that, I was sure the cops would want to talk to me again. Damned if I was gonna make it easy for ’em.
SOUND: FOOTSTEPS RUNNING
JIMMY (V.O.)
That crap the cops tell you about not leaving town is just that. Crap. May look suspicious, but hell, they already suspected me of… well, you name it. But let them come find me in LA, they want to talk more. Course, I had to get out of town quietly. Hard to do when you’re car’s a cinder.
SOUND: FOOTSTEPS, HEAVY BREATHING
JIMMY (V.O.)
I suppose Wiktoria still expected me to look into her mysterious “money man.” But I couldn’t exactly do that dead, could I? So out of town it was. And to do that, much as I hated the idea, I’d have to call in a certain little snake. But a snake who owed me.
SOUND: PHONE DIALING
JIMMY (V.O.)
Imagine my surprise when the snake actually answered.
JIMMY
(OUT OF BREATH)
Peeps? Yeah, it’s Jimmy. You wanna work out a little extension on your debt?
MUSIC: TRANSITION MUSIC FADES IN
LAS VEGAS STRIP
(DAYTIME VEGAS SOUNDS — CARS, PEOPLE, QUIET MUSIC)
JIMMY (V.O.)
I figured as how Peeps owed me a hefty chunk of change — and wasn’t any too likely to pay it back soon — I could at least get a ride out of state. Maybe not the whole way, but if she could get me as far as Barstow, I could catch a bus from there, off everyone’s radar.
SOUND: FOOTSTEPS CROSSING STREET
JIMMY (V.O.)
I’d have to chance going back into the Limelight, but at least now Wiktoria didn’t seem to have it out for me. If I moved quickly, I’d be able to grab the rest of the stuff from my room and be on my way. Had Peeps wait at a gas station a block down, on Reno Avenue. So far, things were going in my favor for a change.
SOUND: CAR TRUNK CLOSING
PEEPS
Please tell me that’s everything. I do not want to be sitting out here any longer than necessary. Attendant’s been giving me dirty looks for the past ten minutes.
JIMMY
Relax, Peeps. Nobody’s after you.
PEEPS
That you know of! And besides, if people are after you, then I’m next. Did anyone see you?
JIMMY
Well, I’m not invisible, so yeah, people saw me. But it didn’t look like anyone was paying me particular attention. Nobody that worried me at all.
PEEPS
So she’s not someone to worry about?
JIMMY
She who?
PEEPS
That skinny girl in the long coat, head wrap, and oversized sunglasses trying hard to hide in that clump of trees and very clearly following you?
JIMMY
What? But I didn’t… Wait… hang on a second.
PEEPS
What? What hang on? No hang on! Go now! Jimmy!
SOUND: FOOTSTEPS
JIMMY
Amber? Amber, is that you?
AMBER
Shhh. Come here.
JIMMY
Hey, are you all right? You kind of ran off pretty quickly back there. Still, looks like you might have been right to run from the guys in that SUV. Pretty sure they came at me right after —
AMBER
Can you help me?
JIMMY
Me? What do you —
AMBER
(PANICKED)
Will promised to help. And he’s gone. And you’re the only one I know that I think he trusted. I mean, he was willing to help you when those guys were chasing you, up at the hotel before. I don’t know why I went back there, but then I saw you…
(BEAT)
I don’t know where else to go!
JIMMY
Um… yeah, yeah. If Will promised to help, I’ll help. I owe him that much, at least. What’s going on? Who are those guys? What do they want? Why are —
PEEPS
(DISTANT)
Jimmy! Come on!
JIMMY
(SHOUTING)
Just a minute!
(QUIETER)
Sorry about that. That’s just Peeps. She’s… well, you don’t need to worry about her, in any case. Okay, I was going a little fast. Force of habit. What is it that you need?
AMBER
Look, I… I mostly perform in the cabaret show at the Lyon Majestic, Bonanza.
JIMMY
Nice show.
AMBER
Nice, yeah, but unless you’re a featured performer, it doesn’t exactly pay the rent. So’s on off nights I also dance over at the Emerald Club. You know it?
JIMMY
Um… I know of it. Haven’t actually been in there myself.
AMBER
Now’s not the time to start getting prudish, Jimmy. Not in this town. Not if we’re going to get anywhere.
JIMMY
No, I… Look, just go on.
AMBER
Okay, so a couple nights back, I’m dancing for this guy. Big guy, business suit, had one of those earpiece things in. Well, he had it on, but it wasn’t in his ear at the time.
JIMMY
So maybe a cop. Or security.
AMBER
Anyway, the guy’s hammered. But not, y’know, handsy or anything. Just talking a lot. Says something about staying at the Lyon Majestic, watching over some “money man.”
JIMMY
Wait, a money man at the Majestic?
AMBER
Didn’t I just say that? Anyway, this guy’s going on about someone screwing up, big time, and he has to go out and take care of something. How it’s not in his job description, but he doesn’t have a choice.
JIMMY
So this money man’s making him do something… bad?
AMBER
I don’t think the money man was making him do it. More like… more like they were keeping a lid on the money man, and something was going to blow it.
JIMMY
Weird.
AMBER
I know, right? I mean, a little TMI. I got the feeling that’s why he was drinking so much. Building up the nerve to do… whatever. Or maybe he was feeling guilty about something. I didn’t like the idea of him driving in that state, but if he really was a cop…
JIMMY
Not a whole lot you could do about it.
AMBER
Right. But then, when he tips me, he’s fumbling around in his wallet, and afterward I notice this piece of paper got mixed in with the bills.
SOUND: RUSTLING PAPER
JIMMY
This it? “Roach…” a bunch of numbers… “Joshua.”
AMBER
Yeah, doesn’t make sense. So I don’t make a big deal out of it. Maybe should have left it with the house in case he came back, but I really didn’t think anything of it. It’s a piece of paper, right?
JIMMY
Right.
AMBER
So then last night, I’m doing the regular Bonanza show at the Lyon, and I see this guy again, only he’s with a bunch of other guys in suits. Up close, so we could see them. And he sees me. I mean, I’m up there with a bunch of other girls, costumes and all, whole point is for us to look the same. But I still know he sees me. Me personally.
JIMMY
So he sees you. Do you think he remembered you?
AMBER
He just had this panicked look. Well, more panicked and determined at the same time. Like he’d have run right up and grabbed me if it hadn’t been in the middle of the show.
JIMMY
Scary.
AMBER
Yeah, scary as hell. So soon as we finish the show, I throw my clothes on, sneak out and come over to the Limelight. Will’s always had a good head on his shoulders. I figured he could help me figure out what to do. He had me hide out in the back office, and he was gonna look around, come back and get me after his shift. But then he…
JIMMY
Yeah.
AMBER
I think they were after me, and maybe they killed him to get to me. I saw the police taking you and went down there, thinking maybe you might know something. But then that SUV drove up, and I just knew it was them, and I panicked.
JIMMY
Probably the right thing to do. Panic isn’t always a bad thing. And look, we’re talking now. But listen, Amber, I don’t think they were after you. I think they might be after me, or at least some of the people I’m involved with.
PEEPS
(DISTANT)
Tick tock, tick tock, Jimmy!
JIMMY
(SHOUTING)
In a minute, Peeps!
AMBER
So what do I do? I can’t go to the cops. If those guys are…
JIMMY
Yeah, I get it. Look, I’m heading out of town. Is there somewhere we can take you? Somewhere safe?
AMBER
I don’t know anywhere safe. By now they could have found out where I live…
JIMMY
Okay, hang on a sec. Just wait here. Let me see what we can do.
SOUND: FOOTSTEPS JOGGING
PEEPS
’Bout damn time.
JIMMY
Look, Peeps. This girl Amber needs help. Might be connected with all the crap that’s going on with me, Will, everything. You know somewhere we can drop her off? Somewhere safe?
PEEPS
If I knew safe, you think I’d be hanging around with you? I would be miles away, sipping a nice cold —
SOUND: SCREAM
JIMMY
Jesus, Amber!
AMBER
(SHOUTING)
Jimmy!
PEEPS
Who the hell is that goddamned secret agent-looking guy? Did he just…?
JIMMY
I don’t know! Oh, dammit, he’s got a buddy. Think he’s got a gun. He’s coming after us.
SOUND: CAR DOOR SLAMMING
JIMMY
Drive! Drive!
PEEPS
Don’t have to tell me twice!
SOUND: TIRES SQUEALING
SOUND: CAR ENGINE ACCELERATING
PEEPS
Jesus. Did that guy just kill her?
JIMMY
I don’t know, man, I don’t know. Can we… can we loop back around? See if Amber’s okay?
PEEPS
Not without going right back into their waiting arms.
JIMMY
Dammit. Oh, this is… this is just getting way too intense for me. Okay, that’s it. We’re out.
MUSIC: CLIFFHANGER MUSIC CUE
ANNOUNCERLAND
MUSIC: CLOSING MUSIC BEGINS
ANNOUNCER
You’ve been listening to Jabberwocky Audio Theater. Tonight’s production: Quorum: The Gambler’s Tale — “Outstanding Debts,” episode four of ten. Produced by Jabberwocky Audio Theater, in association with WERA-LP: Radio Arlington, ninety-six point seven FM, Arlington, Virginia.
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Featured in the cast were Cameron McNary as Jimmy Harmon, Lydia Kraniotis as Wiktoria Sałkiewicz, Christopher Walker as Wilmer Crick, Nick DePinto as Detective Ben Marshall, Yasmin Tuazon as Peeps, and Aimee Thibert as Amber, with additional voices by Anna Coughlan and William R. Coughlan.
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Recorded at Arlington Independent Media, with supplemental recording at Tohubohu Productions in Burke, Virginia.
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Music by Brooks Tegler. For specific music information, see our show notes at jabber audio dot com.
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This week’s episode was produced by Bjorn Munson, and written and directed by William R. Coughlan.
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For all the latest episodes and information on Jabberwocky Audio Theater, visit jabber audio dot com.
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If you’re enjoying Quorum and the other yarns we spin at Jabberwocky Audio Theater, be sure to subscribe, rate and review us on Apple Podcasts or your podcast provider of choice. Check out our Patreon page at Patreon dot com slash Team Jabberwocky for exclusive content, and to help us continue to bring you further tales of mysterious suspense and high adventure.
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Until next time, this is Marsha Rehns, saying thanks for listening… and tune in next week for the next episode of Quorum: The Gambler’s Tale!
MUSIC: CLOSING MUSIC ENDS
ANONYMOUS POKER ROOM
(SECLUDED POKER ROOM AMBIENCE)
SOUND: CARD BURN, THREE CARDS DEALT
SECRET DEALER
And the flop is… five of hearts, four of diamonds, and five of diamonds.
SOUND: CARD BURN, ONE CARD DEALT
SECRET DEALER
And here’s the turn… five of clubs.
SOUND: CARD BURN, ONE CARD DEALT
SECRET DEALER
Finally, the river is… ace of diamonds.
CONCLUSION
HOST
Hast thou slain the Jabberwock?
Text © William R. Coughlan, under license to Jabberwocky Audio Theater. All rights reserved. Reprinted with permission.