INTRODUCTION

HOST
Welcome to Jabberwocky Audio Theater.

HOST
This podcast is made possible by listeners like you — thank you. Visit our website at JabberAudio.com/support to learn more, or go to Patreon.com/TeamJabberwocky.

RATING ANNOUNCER
The following audio theater is rated AD-PG, so parental guidance is suggested.

ANNOUNCERLAND

MUSIC: THEME MUSIC BEGINS

ANNOUNCER
There has always been a gray area between the just and the unjust. The lawful and the lawless. A nebulous region where the trappings of authority share little crossover with the course of justice. And where those who attempt to shine light into the dark recesses of power are often the least expected.
(BEAT)
April 2011. Poker player Jimmy Harmon has found himself embroiled in a struggle between Las Vegas gangster Wiktoria Sałkiewicz and one or more sets of opponents with unknown motives. But his escape is nearly derailed when a local dancer, Amber, is attacked in broad daylight.

(THE FOLLOWING EXCERPTS ARE REPLAYS OF THE SCENES FROM THE PREVIOUS EPISODES.)

SOUND: SCREAM

JIMMY
Jesus, Amber!

AMBER
(SHOUTING)
Jimmy!

PEEPS
Who the hell is that goddamned secret agent-looking guy? Did he just…?

JIMMY
I don’t know! Oh, dammit, he’s got a buddy. He’s coming after us.

SOUND: CAR DOOR SLAMMING

JIMMY
Drive! Drive!

SOUND: TIRES SQUEALING

ANNOUNCER
With the help of fellow gambler Peeps, Harmon is well on his way back to California when he gets sidetracked by a mysterious message given to him by Amber before the assault.

SOUND: PAPER RUSTLING

PEEPS
That it?

JIMMY
Yeah. Just a couple of names and numbers. “Roach. Thirty-five point six four one, negative one-fifteen point three five nine.” And then it’s signed Joshua, with some kind of doodle.

PEEPS
Coordinates.

JIMMY
What?

PEEPS
I don’t know about the names, but the numbers sound like coordinates.

ANNOUNCER
Tracking the coordinates in question, Harmon and Peeps discover a hastily dug grave, and more clues.

JIMMY
She’s got an anklet. No, wait, it’s a MedicAlert thing… Says her name is… Jasmine Starr… Also got a phone number on it. 725-555-0241. Says it’s a work number, but doesn’t say what it is.

ANNOUNCER
Harmon and Peeps’s search is unexpectedly cut short just as they find one final hint.

JIMMY
A key card or something. Ah, it’s blank — nothing printed on… Oh, there’s a Post-it note on the back.

SOUND: PAPER RUSTLING

JIMMY
“L-M two three one seven.” Whatever the hell that means.

PEEPS
No clue. Did you check… Oh, crap… Headlights. There. Dammit, I told you we needed to go, but no, you had to play detective. Why doesn’t anyone ever listen to me?

ANNOUNCER
Jabberwocky Audio Theater presents: Quorum: The Gambler’s Tale. Tonight’s presentation: “Outstanding Debts,” episode six.

MUSIC: THEME MUSIC ENDS

ROACH RAILROAD SIDING

PEEPS
Give me the damn keys. I’m driving.

SOUND: FOOTSTEPS RUNNING

SOUND: CAR DOORS OPENING, CLOSING

SOUND: CAR ENGINE STARTING

JIMMY
Keep the headlights off. Should still be enough sun for us to see where we’re going.

PEEPS
Barely. But yeah, I think we should chance it. Ah, crap, no way we can get back to the access road without them seeing us.

JIMMY
Just drive out. Away from the road. I think you can cross the tracks there…

PEEPS
This is a ninety-two Civic. Not exactly off-road material. I mean, if I’d known I was gonna be chasing down dead bodies in the desert, I might have rethought my purchasing choices, but —

JIMMY
Just go!

PEEPS
I’m going, I’m going!

SOUND: CAR DRIVING THROUGH DIRT

JIMMY
If you can get around that… that dune or whatever. We might be blocked from view.

PEEPS
Worth a shot. Ain’t exactly my area of expertise.

SOUND: CAR SKIDDING

JIMMY
Careful!

PEEPS
You shut up, now. No backseat driving!

JIMMY
Okay, sorry!

SOUND: CAR SLOWING

PEEPS
Can you see anything? They coming?

JIMMY
Um… not yet. Looks like they’re stopping where we were. Black SUV. Hey, I wonder if that might be the same black Hummer that attacked me back in the city!

PEEPS
What? Attacked? You didn’t say anything about that! When the hell did that happen?

JIMMY
Well, if you’d shut up and take a breath for a second, I might have had time.

PEEPS
Bad guys in black SUVs after you? That’s kind of an important detail there. Some things are worth interrupting for. Just asking for a little judgment.

JIMMY
Noted. Ah, damn, looks like they’re moving.

PEEPS
Lights or no lights, I bet they can follow tire tracks. Not to mention the dust we’re kicking up.

SOUND: CAR ACCELERATING

MUSIC: ACTION CUE

JIMMY
Dammit. Okay, okay… Hey, look, across the pass, that… that solar park, or whatever it is. Looks like they’re still building it. No fences around it. Maybe we can go through there, hide between the solar panels, or in with the construction equipment. Then lose them and get back to a real road.

PEEPS
Lot of open space between here and there.

JIMMY
I’m open to alternatives.

PEEPS
Um… damn, I got nothing. Guess it’s worth a shot.

SOUND: CAR DRIVING ACROSS DIRT, GRAVEL

SOLAR POWER FACILITY

SOUND: CAR DRIVING ONTO PAVEMENT

PEEPS
They still coming?

JIMMY
Yeah. Still a ways back. We’ve got a bit of a start. I think… Yeah, try down that pathway, or whatever you call it. Between the solar panel rows. I think their SUV’s too tall to fit under the panel edges.

SOUND: CAR TURNING

PEEPS
Okay, where next?

JIMMY
I don’t know. I’m guessing here. Um, maybe head towards those utility buildings. By the power lines.

SOUND: CAR TURNING

SOUND: METAL SCRAPING, CRUNCHING

JIMMY
Oh, crap, I think they followed us in anyway. Just… just try zigzagging between the panel rows.

PEEPS
Zigzagging?

JIMMY
Just… yeah. Back and forth. Keep turning.

PEEPS
The panels are in straight shots. We’re kind of boxed in here until we get to the end.

JIMMY
Well… look for somewhere they don’t have the panels installed yet. Just some gap for us to get through.

PEEPS
Man, even with the headlights off, they’re gonna see our brake lights.

JIMMY
Dammit. Hadn’t thought of that.
(BEAT)
This is a manual transmission, right?

PEEPS
Hey, it was cheaper than automatic, and when I learned to drive, I learned to drive stick. You kids today don’t even bother —

JIMMY
Okay, there — that opening up ahead, we can cut across there. All this dirt we’re kicking up should give us cover. Hang on. When I say turn, downshift into second and turn. But don’t hit the brakes.

PEEPS
What?

JIMMY
Just do it. And steer into the skid and accelerate out of it.

PEEPS
What?

JIMMY
I’ll pull the emergency brake.

PEEPS
WHAT?!

JIMMY
Trust me, I’ve done it before… in a video game.

PEEPS
Are you out of your —

JIMMY
Now!

SOUND: CAR DOWNSHIFTING

SOUND: TIRES SCREECHING

SOUND: DIRT AND GRAVEL KICKING UP

PEEPS
Aaaaaahh!

SOUND: CAR TURNING

JIMMY
Okay, okay… I don’t think they saw us turn. Or if they did, they can’t follow fast enough. Either way, they’re stuck ’til they get to the end of the row.

PEEPS
Sheesh. We get caught, I do not know you. You’re a damn hitchhiker I picked up and you forced me here.

JIMMY
There, behind those construction trailers or whatever. There’s a bunch of other cars there. We can park and hide.

PEEPS
They’ll see our car. Kind of defeats the escape plan.

JIMMY
I don’t think they got close enough to ID the car exactly. It’ll work. Trust me.

PEEPS
So far, you have given me pretty much zero justification for trusting you.

SOUND: CAR PARKING, ENGINE TURNING OFF

JIMMY
Okay. You hear anything?

PEEPS
Not really. Wait, I… No, nothing.

JIMMY
Okay. Let’s get out and hoof it. Probably easier for us to move in case they do find the car.

PEEPS
Yeah, ’cause there’s no way they’ll be able to follow us on foot through open desert. Ah, dammit.

SOUND: CAR DOORS OPENING, CLOSING

SOUND: CAR APPROACHING FROM DISTANCE

JIMMY
They’re coming… Over here! Looks like an access ladder. I think we can get up onto the roof of that utility building. Taller than the trailers, anyway.

SOUND: FOOTSTEPS RUNNING

SOUND: CLIMBING ON METAL

JIMMY
Come on. Hurry up!

PEEPS
I’m coming, dammit!

SOUND: FOOTSTEPS ON GRAVEL

JIMMY
Here, give me your hand.

SOUND: FOOTSTEPS ON GRAVEL

PEEPS
Now we are good and trapped.

JIMMY
Hope not. Here, maybe we can see them from the edge. Just stay behind the… chimney-vent-exhaust thing.

SOUND: FOOTSTEPS

JIMMY
(SOFTLY)
Stay down.

PEEPS
I’m staying down. See how down I’m staying? Any more down and I’d be —

JIMMY
(WHISPERING)
And stay quiet for once!
(BEAT)
Okay, there they are… No, that’s not the same guys.

PEEPS
Wait, not the guys who’ve been chasing us?

JIMMY
Well, yes, the ones chasing us now, but not the ones who came after Wiktoria and me.

PEEPS
How can you tell?

JIMMY
The other guys, the ones who attacked us, were in a Hummer. These guys are driving… looks like a Tahoe.

PEEPS
How many different bad guys are after you?

JIMMY
I’m starting to lose track. Wait, they’re… yeah, they’re going past. I don’t think they saw us. They’re turning back… Okay… Let me check the map.

PEEPS
Careful with the light.

JIMMY
I’m keeping low. They can’t see us from down there.
(BEAT)
Okay, if we… look, once they’re past, we can get back to this road here. Then we can get back to fifteen.

PEEPS
And get back to getting the hell out of Dodge.

JIMMY
Yeah, unless… hang on a sec.

PEEPS
What?

JIMMY
I’m just doing a reverse lookup on that work number. 725-555-0241… Huh.

PEEPS
What “huh”?

JIMMY
Okay, maybe we can just take a little detour.

MUSIC: TRANSITION MUSIC FADES IN

TAMMY’S RANCH BROTHEL – PARKING LOT

(NIGHT SOUNDS, MUTED COUNTRY MUSIC)

MUSIC: TRANSITION MUSIC FADES OUT

SOUND: CAR DOORS OPENING, CLOSING

PEEPS
In what universe is this a small detour? Hour and a half out of our way so you can visit a brothel.

JIMMY
Like you had other plans today.

PEEPS
Maybe I did. Unlike you, I’m not persona non grata in the city’s finer poker rooms. You know, for this, I’m expecting hazard pay. Serious hazard pay.

JIMMY
Yeah, we’ll talk about it later.

PEEPS
Let’s talk about it now. This is not “extension of debt repayment terms.” More like, “Gee, Peeps, I really appreciate your help. I don’t know why I was insistent on your paying me back in the first place.”

JIMMY
Don’t push it.

PEEPS
Okay, okay. But we’ll still talk.
(BEAT)
I cannot fathom your motivations. First you want to skedaddle. Sensible. Then you want to detour, take in the popular corpse-in-the-desert tourist attraction. Weird. And now a damned hour-and-a-half trip, way out to Pahrump. That’s another weird city name.

JIMMY
I couldn’t exactly call the number on the bracelet cold, without something to go on. And we ran out of time to look for anything more.

PEEPS
You don’t have anything more to go on now!

JIMMY
Yeah, but in person, I can be charming.

PEEPS
First time for everything, I suppose.

SOUND: DOOR OPENING, DOOR CHIME JINGLING

TAMMY’S RANCH BROTHEL – FOYER

MUSIC: SOFT COUNTRY

RECEPTIONIST
Welcome to Tammy’s Ranch Full-Service Resort and Spa. Will you be staying the night at our hotel? We do have a few vacancies available.

JIMMY
Wow, that is a lovely shade of nail polish.

RECEPTIONIST
(INSINCERELY CHARMING)
Why, thank you. So are you looking for something particular in terms of companionship for the evening?

JIMMY
Um… actually, I was hoping you could help me out. I’m trying to find out about someone who works here. She… well, I don’t have a lot to go on. I think her name is Jasmine Starr. Blonde… um…

RECEPTIONIST
(AGITATED)
Um… let me see if there’s someone who can help you. Just a second.

SOUND: CHAIR PUSHING BACK, FOOTSTEPS WALKING AWAY

PEEPS
I’ve got a bad feeling about this.

JIMMY
What? I’m being charming.

PEEPS
You’re being obvious.

SOUND: FOOTSTEPS APPROACHING

(BRUCE EXUDES A CAREFULLY PRACTICED SOUTHERN-CHARM DRAWL, WITH A HINT OF MENACE)

BRUCE
Good evening. I’m Bruce Dundy. I’m the owner here.

JIMMY
Mr. Dundy. Nice to meet you. I was just trying to —

BRUCE
For one thing, we have a certain standard we try to uphold here. If you would like a room, I’m more than happy to set you up in one of our —

JIMMY
No, um… actually, I was just trying to find out about someone named Jasmine Starr. I think she —

BRUCE
Let me be perfectly clear. I am not in the habit of discussing personnel details for former employees.

JIMMY
Former? You mean —

BRUCE
I don’t mean anything. We are a legally licensed and above-board establishment. I don’t know what kind of entrapment you may be trying to involve us in, but none of our business — I mean none — is conducted off-premises.

JIMMY
I didn’t even —

BRUCE
Moreover, if you are not here for the accommodations or amenities, I’m going to have to ask you to leave.

PEEPS
Saw this coming.

JIMMY
But I was just —

BRUCE
The nice gentlemen here will help you back to your vehicle. Thank you very much, and I do hope you enjoy the rest of your evening.

JIMMY
What the hell is —

BRUCE
I’m a very busy man here, and I need to attend to our paying clientele. You’ll excuse me.

SOUND: FOOTSTEPS LEAVING

JIMMY
I’m only trying to find out —

BOUNCER
Sir? Will you come with me, please?

JIMMY
But… okay, okay. Not looking for trouble.

SOUND: DOOR OPENING, DOOR CHIME JINGLING

TAMMY’S RANCH BROTHEL – PARKING LOT

(NIGHT CITY SOUNDS)

BOUNCER
You have a lovely evening, sir. Madam.

PEEPS
Madam? Where does he get off calling me madam? Do I look like someone who should be called madam? I’m only thirty… Okay, thirty-five… Seven.

JIMMY
Well, maybe it’s just that you’re not looking especially presentable at the moment.

PEEPS
Hello, pot, may I introduce kettle? Digging in open graves and climbing on rooftops doesn’t make anyone come out looking dapper.

JIMMY
Well, now what the hell do we do?

PEEPS
(ANGRY)
What do we do? Get the hell out of here! All I agreed to do is drive you out of town, and you drag me into a Coen brothers movie. I did not sign up for this!

JIMMY
But we’re so close to —

PEEPS
What we are close to is getting killed. I like you, but… no, scratch that. I don’t like you. You’re a self-centered, entitled little brat with no respect for anyone or anything. What’s my name?

JIMMY
What?

PEEPS
You heard me. What’s my name? My real name.

JIMMY
Um… Rachael. Rachael Leblanc.

PEEPS
Exactly my… Wait, that’s right. But my point stands. I’ve been working poker rooms fifteen years. You know how hard it is to get any respect as a woman player? I have to play twice as well as anyone else for people to stop assuming I got there out of pity.

JIMMY
But I didn’t —

PEEPS
And here you come, bit of online success, and you act like you own the goddamned town. Guess what? Poker world doesn’t owe you anything. You’re not special. You want respect? Earn it.

JIMMY
Whoa. I never said —

PEEPS
It oozes out of your every pore. You get it in your head to take down the system, play boy detective. Which, BTW, you are absolutely terrible at. Major intel dropped in your lap, and you still haven’t figured it out.

JIMMY
Wait a second. What major intel?

PEEPS
Seriously? You come in, ask about this Jasmine character, and in two minutes this pimp tells you A, she used to work there, doesn’t anymore, and B, that he’s worried about losing his license. Hangs a lantern on the fact they don’t do business off-site.

JIMMY
So… you’re saying Jasmine was breaking that rule.

PEEPS
Law, actually, seeing as how prostitution’s illegal in Vegas proper.

JIMMY
So Foghorn Leghorn in there wants to make crystal clear he has nothing to do with her, or anything she’s done.

PEEPS
Right. That line about entrapment means he thinks you might be a cop. Or a snitch.

JIMMY
So then how does Amber fit in —

PEEPS
You really are the absolute worst at this. Think about it. This Amber girl, who you’re so desperate to help, or avenge, or whatever. Where does she work?

JIMMY
Um… at the Emerald Club sometimes. Or at the Lyon Majestic, mostly.

PEEPS
And the guy after her saw her at the Lyon, right?

JIMMY
Um… yeah. I mean, the second time.

PEEPS
Christ, do I have to spell it out for you? Jasmine takes some off-the-books gig, figures she can make some extra, and heads to the Lyon Majestic. Clearly a big payday for her to risk her day job. Night job. Whatever. But that’s where things go horribly awry.

JIMMY
How do you —

PEEPS
Someone — the B team, if you will — does a half-assed job covering it up at the railroad junction, and our goon’s supposed to finish the job. Only he gets three-sheets-to-the-wind, loses his instruction sheet. And says too much to the pretty girl gyrating on his lap.

JIMMY
Um… yeah, I guess that makes sense.

PEEPS
Now everybody’s freaked, ’cause whoever the hell’s in room twenty-three seventeen has screwed everything all up, and they damn well need to fix things fast.

JIMMY
Slow down. Room… twenty-three seventeen?

PEEPS
The Post-It note you took off our hastily-buried corpse? “L-M two three one seven.” Lyon Majestic, room twenty-three seventeen. That’s where Jasmine was going.

JIMMY
Holy… Wait, did you know that the whole time?

PEEPS
Not the whole time, maybe. But pretty quick, yeah. We did have a ninety-minute drive to get here, so’s I had time to think. Okay? Mystery solved. Curiosity satisfied. Now I’m leaving. You can either come with me, or our relationship is officially severed.

JIMMY
That was… that was pretty damned impressive.

PEEPS
Pfft. Pretty basic, you ask me. Not that anyone ever give me credit for being able to figure things out.
(BEAT)
You know… you know why people call me Peeps?

JIMMY
No, I just… that’s how I always knew you.

PEEPS
(WISTFUL, SAD)
Back when I was starting to play the pro tables, a bunch of guys… and it’s always guys… they figure there’s no way I could do so well unless I’m looking at their cards. I got accused of marking cards, palming, using a shiner to see reflections…
(BEAT)
I’ll never forget. One guy I’d just taken out calls me “Peeper,” and the rest of the table joins in. And then other people start calling me that. And I was stuck with it. Eventually got shortened to “Peeps.”
(BEAT)
I wasn’t cheating. I never cheated. I’m just… I see patterns. Hell, nine times out of ten I can tell you exactly what the guy across from me is holding.
(BEAT)
Really, they just couldn’t accept that a woman was beating them. I know that now. And so screw ’em. Let them call me what they want. I know the truth.

(A MOMENT OF SILENCE)

JIMMY
I’m… I’m sorry, Peeps. Rachael.

PEEPS
You wanna say that again?

JIMMY
You’re right. I haven’t… It’s just… you start to see things working out, and it’s easy to think that’s how things are supposed to be. And from there, it’s all too easy to take… shortcuts, I guess.
(BEAT)
I just… I need to see this through. Will’s dead, Wiktoria’s all beat to hell, and somehow everything here is connected, but I just… I don’t know how.

PEEPS
And…

JIMMY
And that’s it.

PEEPS
No, it goes, “And Rachael, I forgive your debt, since you’ve more than made up with your selfless heroics.”

JIMMY
No, I think I said everything.

PEEPS
Discount?

JIMMY
We’ll talk.

(THEY REMAIN SILENT FOR A MOMENT.)

PEEPS
Look, I have to get back. Hopefully these guys don’t know I’m connected to you, and I can get back to… Oh, you have got to be kidding me!

SOUND: CAR APPROACHING FROM DISTANCE

JIMMY
Jesus, they… they must have seen the bracelet.

PEEPS
Anklet.

JIMMY
Whatever. Quick! We’ve got to go!

SOUND: CAR DOORS OPENING, CLOSING

JIMMY
Wait! Don’t start the car yet.

PEEPS
Are you crazy? Starting the car’s kind of the first step toward escaping, no?

JIMMY
Far as we know, they haven’t IDed our car, or they would have pegged it back at the solar farm.

PEEPS
They could have checked the cameras. They do that.

JIMMY
That was just two hours ago. The place is closed, even if it weren’t still being built. And if there are cameras, they couldn’t have gotten the footage that quickly. I don’t think. They’re not here for us.

PEEPS
What are you talking about?

JIMMY
They did the same thing we did. Traced Jasmine back here, seeing if they need to worry about anything.

PEEPS
That doesn’t help if they see us here.

JIMMY
Just duck down a minute. Let’s see what they do.

SOUND: SUV SLOWING, STOPPING

SOUND: SUV DOORS OPENING, CLOSING

SOUND: FOOTSTEPS

JIMMY
Wait ’til they go in. Then we ease out all calm-like.

SOUND: DOOR OPENING, DOOR CHIME JINGLING (DISTANT)

JIMMY
Okay, they’re in.

PEEPS
You sure? Totally, absolutely, positively?

JIMMY
I’m sure. Go. Now.

SOUND: CAR STARTING

PEEPS
Here we go.

SOUND: SUV STARTING

JIMMY
Oh, crap, the driver was still in the car.

PEEPS
How did you miss that? You said you were sure!

JIMMY
It’s dark! I can’t see everything! Drive! Drive!

SOUND: CAR ACCELERATING

MUSIC: ACTION CUE

PAHRUMP CITY STREETS

PEEPS
Where to?

JIMMY
I don’t know! I don’t know this town! Let’s… let’s just hope they don’t either. Quick, turn down there!

SOUND: TIRES SKIDDING

PEEPS
Hold on to your potatoes!

SOUND: TIRES SQUEALING

JIMMY
Dammit, they’re still back there!

PEEPS
We’re not gonna outrun them in this! I mean, I love this car, lot of fond memories, but it’s not exactly a speed demon.

SOUND: SUV APPROACHING

JIMMY
Hang on!

SOUND: CRASH

PEEPS
Whoa!

JIMMY
They’re trying to knock us off the road.

PEEPS
And they’re going to! Simple question of mass.

SOUND: CRASH

SOUND: TIRES SQUEALING

JIMMY
Wait, if we… if we just… that alley up ahead!

PEEPS
What, on the left!

JIMMY
Can’t outrun them, but we can out-turn them. If we try the hand-brake slide again.

PEEPS
Get your damn hands off the brake. I’ll do it.
(BEAT)
Ahhhhhh… here goes nothing!

SOUND: CAR DOWNSHIFTING

SOUND: TIRES SQUEALING

SOUND: CRASHING, SCRAPING

PEEPS
Oh, son of a bitch. Now you owe me car repairs too!

JIMMY
Just keep going! They’ll be back around in a sec. There! Turn there!

SOUND: TIRES SQUEALING

JIMMY
Okay, if we can just get up a block, I think we can lose them. Take that right turn!

PEEPS
You’re the boss. Wait, no you’re not. Scratch that.

SOUND: TIRES SQUEALING

SOUND: CAR ACCELERATING

PEEPS
Think I’m getting the hang of this brake-slide thing.

JIMMY
I think… yeah, I don’t see them back there. I think we’re good.

(A MOMENT OF QUIET DRIVING)

PEEPS
Okay, okay. Think we can get back to one-sixty?

JIMMY
Yeah, I think we’re ahead of them. I don’t think they’ll be able to cut us off.

PEEPS
Unless they call ahead for backup. You know who drives black SUVs? Cops. Feds. People with backup.

JIMMY
Let’s… let’s just keep our fingers crossed. If they’re covering up dead bodies, I don’t think they’re wanting to announce themselves.

PEEPS
Jesus, I hope you’re right. ’Cause so far, you —

SOUND: GEARS GRINDING

SOUND: CAR RATTLING

PEEPS
Son of a biscuit. You can add a new clutch and… whatever that last sound was… to the body work you already owe me.
(BEAT)
Oh, what’s that smell?

JIMMY
Yeah… I think that’s your tires?

PEEPS
My tires?

JIMMY
Sliding on asphalt kind of… burns them up. A bit.

PEEPS
Now you tell me?

JIMMY
When we did it before, we were driving on dirt. I didn’t think it’d be a problem there. And this time… I don’t know. I was desperate.

PEEPS
Thanks for that. Add new tires to the bill. And probably cancer treatment from breathing that stuff.

JIMMY
Sorry about that. You did it really well, though.

PEEPS
Yeah, whatever. In any case, no way we’ll make it to Barstow now.

JIMMY
Dammit. What if…? No.

PEEPS
Do not start going all cryptic on me now. What?

JIMMY
I’m thinking I need to check out the Lyon Majestic.

PEEPS
This is exactly why I didn’t tell you about the damned Post-It note! Are you out of your mind? Even under the best of circumstances, you wouldn’t get within a mile of that place!

JIMMY
True enough. But I’m thinking we go underground.

PEEPS
What do you mean, underground?

JIMMY
As in literally.

MUSIC: CLIFFHANGER MUSIC CUE

ANNOUNCERLAND

MUSIC: CLOSING MUSIC BEGINS

ANNOUNCER
You’ve been listening to Jabberwocky Audio Theater. Tonight’s production: Quorum: The Gambler’s Tale — “Outstanding Debts,” episode six of ten. Produced by Jabberwocky Audio Theater, in association with WERA-LP: Radio Arlington, ninety-six point seven FM, Arlington, Virginia.
(BEAT)
Featured in the cast were Cameron McNary as Jimmy Harmon, Yasmin Tuazon as Rachael “Peeps” Leblanc, Kevin Murray as Bruce Dundy, Bjorn Munson as the Bouncer, and Arnetia Walker as the Receptionist, with additional voices by Anna Coughlan.
(BEAT)
Recorded at Arlington Independent Media, with supplemental recording at Tohubohu Productions in Burke, Virginia.
(BEAT)
Music by Brooks Tegler, with special thanks to Don Lerman for providing supplemental music for this episode. For specific music information, see our show notes at jabber audio dot com.
(BEAT)
This week’s episode was produced by Bjorn Munson, and written and directed by William R. Coughlan.
(BEAT)
For all the latest episodes and information on Jabberwocky Audio Theater, visit jabber audio dot com.
(BEAT)
If you’re enjoying Quorum and the other yarns we spin at Jabberwocky Audio Theater, be sure to subscribe, rate and review us on Apple Podcasts or your podcast provider of choice. Check out our Patreon page at Patreon dot com slash Team Jabberwocky for exclusive content, and to help us continue to bring you further tales of mysterious suspense and high adventure.
(BEAT)
Until next time, this is Marsha Rehns, saying thanks for listening… and tune in next week for the next episode of Quorum: The Gambler’s Tale!

MUSIC: CLOSING MUSIC ENDS

ANONYMOUS POKER ROOM

(SECLUDED POKER ROOM AMBIENCE)

SOUND: CARD BURN, THREE CARDS DEALT

SECRET DEALER
The flop… six of clubs, ace of spades, and two of clubs.

SOUND: CARD BURN, ONE CARD DEALT

SECRET DEALER
The turn… seven of clubs.

SOUND: CARD BURN, ONE CARD DEALT

SECRET DEALER
The river… ace of hearts.

CONCLUSION

HOST
Hast thou slain the Jabberwock?

Text © William R. Coughlan, under license to Jabberwocky Audio Theater. All rights reserved. Reprinted with permission.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.